This article may require cleanup to meet Wikipedia's quality standards. Please improve this article if you can. The talk page may contain suggestions. (October 2007) The Units Background information Origin San Francisco, California, U.S. Genres New Wave Synthpunk Years active 1978–1984 The Units are a defunct, early electronic music/punk rock/New Wave/synthpunk band founded in San Francisco in 1978 and active until 1984. One of America's first electronic New Wave bands, they are widely cited (along with The Screamers from L.A.) as pioneers of a genre now known as "synthpunk." The Units were notable for their use of synthesizers in place of guitars, and multimedia performances featuring multiple projections of satirical, instructional films critical of conformity and consumerism. Contents 1 Members 2 History 3 Visual and multimedia components 4 Critical response 5 Attempts at later recognition 6 Influence and cultural significance 7 Discography 8 Videography 9 Filmography 10 References 11 External links // Members

Primary members were Scott Ryser and Rachel Webber. Other various members that played live shows and toured with The Units included Brad Saunders, Tim Ennis, Jay Derrah, Ron Lantz, Richard Driskell, Lx Rudis, Seth Miller, Jon Parker, David Allen Jr., Jabari Allen, Marc Henry, James Reynolds, Raymond Froehlich, D.C. Carter and projectionist Rick Prelinger. History The Units were one of the most popular bands of the San Francisco punk and performance art scene during the late 1970s and early 1980s, headlining at the Mabuhay Gardens (aka The Fab Mab), The Savoy Tivoli, The Berkeley Square, The Deaf Club, Valencia Tool & Die, Geary Theater and other punk clubs. The Units also opened for such bands as Soft Cell, Gary Numan, Ultravox, XTC, Bow Wow Wow, the Psychedelic Furs, the Police, Iggy Pop, Dead Kennedys, Sparks and toured the United States with Orchestral Manoeuvres in the Dark.

Notable performance art appearances included "Punk Under Glass",1 where the Units performed in the windows of the JC Penney building in downtown San Francisco, as part of a two day art installation, and the "Labat / Chapman Fight at Kezar Pavilion",2 a performance art boxing match between two artists where the Units played the national anthem. Since L.A.’s The Screamers never released a record, the Units' DIY, self stamped, 7" EP entitled “Units” released in 1979, may be the first example of a "synthpunk" record. It was followed by another self released 2 song 7" record in early 1980, "Warm Moving Bodies"/"iNight". The Units critically acclaimed first album, Digital Stimulation, released in 1980, was the first album released by Howie Klein’s fledgling 415 Records, which is considered to be the first North American record label devoted to New Wave music.citation needed

In 1982, the Units released a single on UpRoar Records entitled "The Right Man". The song was recorded at the Different Fur recording studio, founded by the electronic music composer Patrick Gleeson.3 The recording was produced by Michael Cotten, the synthesizer player of The Tubes. The song went to #18 on Billboard's Dance Charts and stayed on the charts for 13 weeks. The Uproar label was the creation of Rachel Webber's brother, Joel Webber. Webber, radio promo man extraordinaire and the Units manager at the time, was also one of the founders of the New Music Seminar, New York's major new music fiesta of the '80s and early '90s. Subsequent productions by UpRoar included spoken word recordings by performance artists including Karen Finley, Eric Bogosian, and Ann Magnuson. Upon Joel’s death in 1988 Rachel Webber took over as head of the label.

After the success of "The Right Man", the Units signed with Epic/CBS Records and produced a music video for "A Girl Like You" that went into medium rotation on early MTV. They released an EP titled New Way to Move on Epic Records, but typical of a hard-luck recording career, the Units' second and third albums — both produced by Bill Nelson for Epic/CBS, were never released.citation needed In 1984, after recording the sound and music for the artist Tony Oursler’s film EVOL, Ryser and Webber moved to New York, putting an effective end to the Units. Visual and multimedia components The film Unit Training Film#1, produced by Scott Ryser and Rachel Webber, compiled from films the band projected during performances, was shown sans band in movie theaters around the San Francisco Bay Area, including the Roxie Cinema, San Francisco Cinematheque, The Intersection, and the Mill Valley Film Festival.4 Critical response

The alternative press publisher V. Vale called the Units "the first San Francisco band to perform using no guitars",5 and the Los Angeles music critic Kickboy Face of the fanzine Slash wrote of a Units performance, "That night, watching the Units pound their machines into submission, I knew that another cliched concept of mine was biting the dust once and for all. I also knew that there probably was a future to rock n roll after all, and that future did not necessarily include anything resembling guitars."6 Attempts at later recognition In 2005, Ryser signed a licensing contract with EMI. Once again, the recordings were not released. In 2009, the record label Community Library out of Portland, Oregon released a-21 song compilation by the Units.

In June 2009, a 12" single of "High Pressure Days" was released on German label Relish with remixes alongside the original version. [1] Influence and cultural significance Jandek is an outsider musician presumably from Houston, Texas, who has self-released 59 albums without ever granting a real interview. His first album, Ready for the House, was first accredited to a band called "The Units". Jandek stopped using the Units name and started using his own after being contacted by Scott Ryser of the S.F. Units. Mr. Ryser holds a U.S. Trademark on the name "Units". Discography High Pressure Days (7") Warm Moving Bodies (7") Units (7") Digital Stimulation (12") The Right Man (12") A Girl Like You (12") New Way to Move (12") Videography "Unit Training Film 2: Cannibals" "A Girl Like You" Filmography Unit Training Film 1, Warm Moving Bodies (1980) References ^ "Punk Under Glass" by Jeff Jarvis, S.F. EXAMINER, Fri., Jan. 26,1979. ^ "Ring Cycle" by Bill Mandel, S.F. Examiner, June 5, 1981. ^ Damian Ramsey, Discs - The Units Discography, Synthpunk.org. ^ Damian Ramsey, Playback: Film and the Units, Synthpunk.org. ^ V. Vale, "Ultrasonic Security", Slash, Vol. 2, No. 6. June 1979. ^ Bessy, Claude ("Kickboy Face"). "untitled," Slash, Vol. 2, No. 9, September 1979. External links "The Unit Training Film #1" by Scott Ryser, 1980, Internet Archive "The Unit Training Film 2: Cannibals" by Scott Ryser, 2010, Internet Archive "Videos of The Units" Scott Ryser's Vimeo page. The Units on Myspace http://www.synthpunk.org/units/ http://www.community-library.net/ “The Units: No Tortured Intellectuals” by Michael Synder, S.F. Chronicle / Examiner, December 14, 1980 “The Units: Programmed for Success” by Susan Klein, BAM, October 10, 1980 "The New Synthesizer Rock" by Bob Doerschuk, Keyboard Magazine, June 1982 "Keys To The Future" by Jon Young, Trouser Press, May 1982