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The Archaic period in Greece (800 BC – 480 BC) is a period of ancient Greek history. The term originated in the 18th century and has been standard since. This term arose from the study of Greek art, where it refers to styles mainly of surface decoration and sculpture, falling in time between Geometric art and the art of classical Greece. In the sense that it contained the seeds of classical art, it is considered "archaic." Since the Archaic period followed the Greek Dark Ages, and saw the rise of the polis and the founding of colonies, and the first inklings of classical philosophy, theatre in the cult of Dionysus, written poetry, that arrived with the reintroduction of the written language, which had been lost during the Dark Ages, the term archaic was extended to these aspects as well.
Most recently, Anthony Snodgrass embraced and developed this holistic approach suggesting that "historians extend their interests from political and military events to social and economic processes" and "classical archaeologists turn from the outstanding works of art to the totality of material products ...." The Archaic period is thus interpreted as a rapprochement of various threads and is not just an "archaic" stage of classical fruition, but "a complete episode in its own right."1 Michael Grant also objects to the term archaic "because it possesses the dictionary significance of 'primitive' and 'antiquated.' No such pejorative epithets are appropriate for the early Greeks, whose doings and sayings added up to one of the most creative periods in world history."2
Snodgrass defines the termini of the Archaic period as a "structural revolution", meaning a sudden upsurge of population and material goods that occurred with mid-point at 750 BC, and the "intellectual revolution" of classical Greece.3 The end of archaism is conventionally defined as Xerxes' invasion of Greece in 480 BC It should not be thought for a moment, however, that all the various threads begin and end on these dates. For example, red-figure pottery, which characterized the Classical Greek period, began in the Archaic. Snodgrass says: "... it must always be borne in mind that such demarcations of history ... although reasonably acceptable for the convenience of later ages, are entirely artificial categories".4
Contents
1 Society
2 Art
2.1 Architecture
2.2 Sculpture
2.3 Ceramics
3 Conflicts
4 Important people
5 See also
6 Notes
7 References
8 Further reading
9 External links
//
Society
Mycenaean Greece of the Bronze Age had been divided into kingdoms each containing a territory and a population distributed into both small towns and large estates owned by the nobility. The kingdom was ruled by a king claiming authority under divine right by descent from a heroic ancestor and physically established at a palace situated within a citadel, or acropolis ("high city") located for defense on the highest hill that could be found, preferably precipitous. During the Greek Dark Ages the palaces, kings and estates vanished, population declined, towns were abandoned or became villages situated in ruins and government devolved on minor officials and the tribal structure.
The sharp rise in population at the start of the Archaic Period brought reurbanization, settlement of new towns with re-expansion of the old centres. Margalit Finkelberg5 has discussed the succession patterns of legendary and historical kings in pre-Classical Greece, where succession from father to son is not the norm, but where instead the new king, traditionally exiled from a royal line elsewhere, wins the right as son-in-law of the old king, legitimised through his marriage to the daughter. This pattern is immediately familiar to a reader of Greek mythology, in Pelops, Bellerophon, Melampous, Peleus, Telamon, Teukros, Andraimon, Diomedes, Menelaus, and others. In Greece, until quite a late Hellenistic date, the king list that is so familiar a feature everywhere in the Near East and Anatolia and a calendar reckoning by regnal year are both absent. If the king is succeeded by his son-in-law, Finkelberg notes (1991:305), that means the queen is succeeded by her daughter, in a culture that was on its surface relentlessly patriarchal: "That is to say, in Sparta, and obviously in other places for which kingship by marriage is attested, rather than a line of kings, we have a line of queens that runs from mother to daughter."
Towards the end of the Archaic period, the power of the basileus, or king, was reduced as aristocratic gatherings such as the council of elders increased in power. The sharing of power among powerful families occurred in many poleis which saw oligarchies established. The Archaic is also a period marked by tyrants, strong rulers who seized power from the aristocracy and ruled as central, dominating figures.6 A new form of government had evolved, the city-state, which Hellenes termed the polis. The kingdoms were not restored even though in many cases offshoots of the royal families remained. Instead each major population center became autonomous and was ruled by a republican form of government. The ancient Greek term is synoikismos, from which comes the term synoecism "conurbation", meaning the absorption of villages and the incorporation of their tribes into the substructure of the polis. The akropoleis became the locations of public buildings, typically temples.7
The Archaic period is also characterized by the spreading of colonization of Mediterranean and Black Sea coasts, beginning about 800. The reason for this phenomenon is described by Greek authors as "stenochoria", "the lack of land", but in practice there were a great number of reasons: rivalry between political groups, the need for adventures, expatriation, search for trade opportunities and so on. In the earliest expansion of Greek culture the Euboeans played the major role, in founding the trading site at Al Mina on the Syrian coast in the estuary of the Orontes, for example, and the earliest Greek sites in the west at Ischia (Pithekoussai) and Cumae.8
Art
Archaic kouros from Thebes
Orientalizing style
Black-figure style
Reconstructed colour kore statue from the archaic period of Greece
The period takes its name from what, in art history, was considered the archaic or old-fashioned style of sculpture and other works of art/craft that were characteristic of this time, as opposed to the more natural look of work made in the following Classical period (see Classical sculpture).
Architecture
Main article: Architecture of ancient Greece
Sculpture
Sculpture in limestone and marble, terra cotta, bronze, wood and rarer metals were used to adorn temples and funerary monuments both free-standing and in relief. The themes were mythical or from daily life. Life-size statues began suddenly at about 650 BC Three periods have been identified:9
Early Archaic, 660 BC - 580 BC
During the period, the major sculptural forms were the kouros and its female equivalent the kore.
Middle Archaic, 580 BC - 535 BC
Late Archaic, 540 BC - 480 BC
Ceramics
In pottery, the Archaic period sees the development of the Orientalizing style, which signals a shift from the Geometric Style of the later Dark Ages and the accumulation of influences derived from Phoenicia and Syria.
Pottery styles associated with the later part of the Archaic age are the black-figure pottery, which originated in Corinth during the 7th century BC and its successor, the red-figure style, developed by the Andokides Painter in about 530 BC.
Some notable distinctions to tell if it's from the archaic period is the Egyptian like "left foot forward," "archaic smile," and the very patterned and conventionalized hair or "helmet hair."
Conflicts
First Messenian War (Approximately 750-730 BC)
Lelantine War (End of 8th century BC)
Second Messenian War (640-620 BC)
Periander's destruction of Epidaurus (approx. 600 BC)
First Sacred War (595-585 BC)
Thirean War (mid-6th century BC)
Spartan invasion of Samos (529 BC)
Arcadian Wars
Athenian Republic Wars
Greco-Persian Wars
Important people
Statesmen
Aristomenes
Cleisthenes
Cleisthenes of Sicyon
Cleomenes I
Cypselus
Draco (lawgiver)
Lycurgus (Sparta)
Peisistratos (Athens)
Periander
Pericles
Pheidon
Polycrates
Solon
Teleclus
Theagenis
Theopompus (king of Sparta)
Thrasybulus (tyrant)
Epic poets
Homeros
Hesiodos
Philosophers
Anaximandros
Anaximenes of Miletus
Herakleitos
Pythagoras
Thales
Xenophanes
Lyric poets
Alkaios
Alkman
Anakreon
Sappho
Stesikhoros
Ibykos
Simonides of Ceos
Korinna
Logographers
Kadmos of Miletos
Ekataios of Miletos
Akusilaos
Fabulists
Aisōpos
Sculptors
Butades
Ageladas
Antenor
Arkhermos
Aristokles
Bathykles
Bupalos
Kanakhos
Dipoinos and Skyllis
Endoios
Hegias of Athens
Rhoicos
Smilis
Theodoros
Painters
Aglaophon
Exekias
Anakles
Antidoros
Archikles
Ergoteles
Glaukytes
Hermogenes
Kaeltes
Kleitias
Lydos
Nearchos
Paseas
Psiax
Sakonides
Sikelos
Sophilos
Sosimos
Teisias
Xenokles
Andokides Painter
Apollodros
Epiktetos
Euthymides
Hypsis
Makron
Pheidippos
Phintias
Psiax
Sikelos
Skythes
Smikros
Tragic poets
Thespis
Phrynikhos
Khoirilos
Pratinas
Comic poets
Susarion of Megara (~580 BC)
Epikharmos of Kos (~540-450 BC)
Krᾰtῖnος (~520-420 BC), also classical
Khionides (also classical) 486 BC
See also
Mykonos vase
Pitsa panels
Notes
^ Snodgrass, p. 13.
^ Grant, Michael (1988). The Rise of the Greeks. New York: Charles Scribner's Sons. p. xii.
^ Snodgrass, pp. 13, 23.
^ Snodgrass, pp. 201-202.
^ Margalit Finkelberg, "Royal Succession in Heroic Greece" The Classical Quarterly, New Series, 41.2 (1991:303-316)
^ A Brief History of Ancient Greece
^ Snodgrass, pp. 28-34.
^ Robin Lane Fox, Tavelling Heroes in the Epic Age of Homer, 2008.
^ Richter, pp. 47-83. The overlap of dates recognizes transitions.
References
Richter, Gisela M.A. (1963). A Handbook of Greek Art: Third Edition Newly Revised. Phaidon Publishers Inc..
Snodgrass, Anthony (1980). Archaic Greece: The Age of Experiment. London Melbourne Toronto: J M Dent & Sons Ltd. ISBN 0460043882.
Pomeroy, Sarah (2009). A Brief History of Ancient Greece. Oxford New York: Oxford University Press. ISBN 9780195392678.
Further reading
George Grote, J. M. Mitchell, Max Cary, Paul Cartledge, A History of Greece: From the Time of Solon to 403 B.C., Routledge, 2001. ISBN 0415223695
External links
Archaic period: society, economy, politics, culture — The Foundation of the Hellenic World
The Archaic Period of Greek Art – Columbia Electronic Encyclopedia
Ancient Greece: The Archaic Period — by Richard Hookero
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New York: Oxford University Press, USA, 2010. Pp. xxvi, 161. Illus, maps, appenda, biblio., index. $19.95. ISBN: 0199233381. A concise, surprisingly nuanced survey of the Ancient Greek world, from the age of Minos through late Antiquity, told with good effect through the history of eleven cities.
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